CENTRAL STATION, MINSK, 2016 PRINT BY HAZEL GASKIN ALICE EWING Named for its anthropomorphic solid

Named for its anthropomorphic solid wood legs that exude a sense of dynamic motion

All the scenes in this series are direct ‘copies’ of the scenes we found on original 17th century reclaimed Delft tiles

seat and back are built from hand-tied coil springs with natural inner fillings and topped with generously deep feather and down seat cushions

but can be recreated to be both floor standing

CENTRAL STATION, MINSK, 2016 PRINT BY HAZEL GASKIN ALICE EWING Named for its anthropomorphic solidHazel Gaskin photographer, from Dublin, Ireland, explores the intersections of identity, community, and culture in her work. Growing up in Ireland while undergoing a profound ideological shift from religious to secular society has deeply shaped her practice, particularly the ways in which these societal changes manifest in the everyday lives of individuals and communities. Religious iconography and themes of identity frequently appear in her