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Posts on social media even noted his pieces were selling posthumously, hinting at a growing cult following

In a triumph of simplicity over budget, this is less a documentary in the traditional sense and more a clip showbut when its David Lynch introducing the clips, and when theyre clips from surrealist films and thus dont suffer much from being shown without the context of the wider film, you have a recipe for a fascinating hour (nor thankfully do they suffer overmuch from being viewed on somewhat degraded 90s videotape)

REELZs new docuseries Patrick Swayze: Ghosts & Demons reveals more details

Fortuitously (for Frank Williams and his outfit) Rothmans - which has enjoyed brief flirtations with Formula One back in the eighties with March, first via Ian Scheckter, then Jochen Mass - wanted back in and let it be known that approaches would be welcomed