I particularly like it for its raw honesty
By using all the means to which he has access, Close has spent over three decades pushing representation to its furthest limits.
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Opening with sardonic narration of a dead man commenting mordantly on the circumstances of his own murder, this highly unusual work announces itself as a bleak but irresistibly sardonic motion picture., a trenchant observation of Hollywoods most bizarre human artifacts. According to Alain Silver and Elizabeth Ward, the original opening, which was discarded, featured the dead Joe Gillis sitting up on a slab in the morgue, telling his story to an audience of other corpses