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She manipulates the light in the rooms and streets to give texture to the scenes, for instance when Manet confesses to Berthe that he has contracted syphilis and the dull light outside the window makes pale marble of his hands. Oliveira uses light to signal changes in mood as well, like when Degas breaks the news to Mary that he has called off the publication of a journal they created together and a cloud passed over the sun, casting a cool shadow over the lake, dulling the reflection of the trees in the water. In yet another scene, Mary has been weakened once again by Degas cruelty as the glimmer of the candle [in the room] fading now, and with it all her vague dreams of a life lived beside this manThe flame trembled in its puddle of molten wax and went out, rendering the studio a place of shadows and depth. These scenes are as provocative and beautifully rendered as the paintings the characters create

University of Alberta (Canada)

Internal size (LxWxH): 23.8 x 14.2 x 21 cm

"We can no longer afford to sit on the sidelines."